Artist Isaac Chong Wai reflects upon the development of artistic practice: ”Performance edits realities. It challenges our preconceived notions and understanding of the body in time and space. I often approach my ideas through queering, disrupting, and altering the hierarchies of meanings, where the recognizable becomes uncanny, fragmented, and clashed.”

Kieran Long, director of ArkDes, Sweden’s national architecture museum reflects on how the field of journalism can shape architecture and design exhibitions: ”The future of independent publishing to me right now looks like it ought to be more collaborative - where institutions with resources should join forces with publishing platforms that reach bigger audiences.”

The New York-based artist merges anthropology, architecture and performance studies to create works that make invisible ecological impacts visible: ”I have always felt the boundary separating the human and the nonhuman as something extremely tenuous.”

With Gabriella Cardazzo, former director and daughter of founder of La Galleria del Cavallino, Carlo Cardazzo, and Prof. Giovanni Bianchi, we discuss the history of the famed Venetian art space. Carlo Cardazzo opened Galleria del Cavallino as a space to be more than a gallery—a rebellion. Designed by Carlo Scarpa, this exhibition platform brought together Morandi, Fontana, and Peggy Guggenheim’s protégés. His children transformed it into a hub for experimental art, introducing Italy to Marina Abramović, Nam June Paik, and Warhol’s films!