With Stefano Boeri, we trace the evolution of his methodology—from the collaborative research agency Multiplicity to current vision for Laboratorio Roma050. Boeri shares the theoretical and practical foundations of his work, from fishing to Foucault and Secchi: “At the start of my career, I was a researcher. Then I worked with Multiplicity, followed by a move to communication (magazines), then politics and institutions such as Triennale di  Milano. Always acting as an architect, hoping to keep this identity strong and current.”

Artist Hannah Woo explores the precarious threshold where textile becomes anatomy and architecture becomes a living organism. In conversation with Amber Hanson, the artist shares the practice where fabric behaves as a breathing body, suspended in a state of deliberate, alive precarity.

Artistic duo 404.zero create large-scale immersive installations, where algorithmic light and sound behave as living entities. In the interview with Amber Hanson, 404.zero share how pure light functions as both architecture and sensitive skin; and how self-running systems generate ever-changing volumes and rhythms. We learn and trace why their works feel closer to weather systems than traditional compositions, where the artistic duo are actively building autonomous environments that drift, and even collapse over time, with frequency carrying meaning.

In this latest instalment of Museums’ Series with a focus on Printed Matter, presented in partnership with leading global institutions, we dive into the creative process of architect Steven Holl, presented by Dimitra Tsachrelia Holl.

Drawing is a cognitive tool—an intuitive impulse where watercolor and charcoal are in a dialogue of discovery. For Holl, these daily sketches are the essential instruments that bridge the gap between thoughts and a physical space (of healing and light). Tsachrelia Holl explores how a medieval musical concept, neume notation, found its way from a morning sketch into the very fabric of a building dedicated to human care.